Why Feminism is still relevant and Germaine Greer is not

All political movements are like this — we are in the right, everyone else is in the wrong. The people on our own side who disagree with us are heretics, and they start becoming enemies. With it comes an absolute conviction of your own moral superiority. There’s oversimplification in everything, and a terror of flexibility.
Doris Lessing
Sometime ago I came across an article that bemoaned the death of Feminism and the reluctance of many women to label themselves as feminists. Aren’t these women interested in equal pay, asked the author? Do they not want to be given the same opportunities as men? Well, yes they do, but perhaps they don’t want to be associated with the increasingly shrill and vituperative voice of 60s feminists, whose antics left such a profound imprint, it seems, so as to essentially trademark feminism in popular culture. They weren’t even the first wave of Feminism - that honour is normally given to the suffragettes - and are by no means the most recent one, yet they are seemingly the ones that stayed in the public’s imagination. I blame Germaine Greer, grand doyenne of angry women everywhere. She nearly made me rescind of my own feminist tag, and for that I’m very angry.
Greer is of course best known as the author of The Female Eunuch. Its publication in 1970 created a sensation, as it urged women everywhere to embrace their sexuality, become self-reliant and cast aside the passive roles they had traditionally been allotted. Delivered with great humour and wit, it gave patriarchy a deserved kick in the teeth whilst still treating men as potential partners, not antagonists. These two qualities, humour and a more forgiving view on men were, sadly, rather scarce amongst other feminist theorists of the time. A product of the 60s, some of the book’s suggestions might be too mother-earthy in the cold light of the present. I, for one, fail to see the liberating properties of tasting one’s menstrual flux and I am quite happy to remain repressed on that front. But over time, many of her suggestions worked themselves into the mainstream, watered down perhaps, but still there nonetheless. This is how ideas become socially acceptable over time, you shout loud enough until your echoes start reaching enough people. A viewpoint is rarely accepted into the hall of dominant ideologies retaining its original strength.
I should be forever grateful to Greer and company for paving the way for me and other women, as we no longer need to stay at home reading The Good Housekeeper, popping Valium and hoping our husband might accidentally stumble across our g-spot while looking for the cocktail shaker. I should be grateful, and I am, but I’m also disappointed, because somewhere along the line these women got stuck, and started sounding like broken records, parping on ad-infinitum about the whore/madonna dichotomy, without seemingly contributing to the debate, passing off tired observations as radical aperçus, breaking taboos that were no longer there to be broken.
Desperate to discard anything that had even the slightest whiff of sexism they soon ran into a wall, the one every feminist runs into eventually, as they realised they didn’t have enough pieces not tainted by that all pervasive patriarchy to build an alternative world. Language became the main battlefield, with never ending debates over Ms/Miss, humankind/mankind… (they’re still raging now). Reappropriation became one strategy, although I still don’t think “bitch” should be taken a compliment, no matter how many times Meredith Brooks insists on singing it. Others, like Julia Kristeva, suggested the invention of a “feminine” language marked by soft sounds, humming and other earthly noises, which I suspect would make women sound like Teletubbies. Then Greer lost it (although it could also be argued that Kristeva beat her to it).

Thirty years after her first book, and to much fanfare, Greer published The Whole Woman, a sequel of some sorts to The Female Eunuch. Greer was still angry of course, although this time she was incensed over things that were cunningly disguised as progress - well they fooled me - like the contraceptive pill and today’s more lenient abortion laws. At this point, it seems, Greer had pretty much decided that women were and always will be regarded as disposable holes by men, and that any development only benefits some vague yet omnipresent phallocentric conspiracy.
The pill, she insisted, did not give women greater autonomy over their bodies, but made them a “manmade nonmother”, it was a “male interference with conception and birth”. “Women are driven through the health system like sheep through a dip […] The disease they are being treated for is womanhood” she hectors from her soapbox. Then she goes on to blame Roe v. Wade for giving women the dubious privilege to “undergo invasive procedures in order to terminate unwanted pregnancies, unwanted not just by them but by their parents, their sexual partners, the governments who would not support mothers, the employers who would not employ mothers, the landlords who would not accept tenants with children, the schools that would not accept students with children.”
No wonder she is so miffed, being endowed with a pair of fallopian tubes apparently make her an object of universal hatred. I bet even the postman secretly hates her uterus. And Ms Greer has no time for actual mothers either, who have, of course, been deluded into popping babies into patriarchy’s lap. Being a woman in Western society is clearly a no-win situation, but at least they can take solace in knowing that they’re not having their genitals mutilated, like in some African countries. I mean, that must be some sort of consolation, now that you’ve discovered everybody hates you. Right?… You’d be wrong! You’ve obviously been blinded by your Eurocentric arrogance! Your penchant for make-up clearly exposes your secret ambition to become a Stepford Wife. Your reservations on female genital mutilation, on the other hand, are obviously “an attack on cultural identity”.
That’s right, mutilating often unwilling 13-year-old girls must be “a procedure with considerable cultural value because it has survived 50 years of criminalization and concerted propaganda campaigns”. Oh, you mean like backstreet abortions…? Sex trafficking? No? Is it because we’re seeing this barbarous.. um tradition.. out of context, through our myopic Western eyes? I can only conclude that Meaning is Contextual, and in Greer’s case, this translates as ‘anything goes as long as it’s done by people who are sufficiently unlike you’. Oh, and as far as I’m aware, she still refuses to accept men who have undergone gender-reassignment surgery as women, her argument being more or less the bob-marleyesque sounding “no ovaries, no woman”. No wonder she is still regularly trotted out by lazy producers whenever gender is on the agenda: the woman is clearly a visionary, her enlightened and progressive views on transsexuality on par with Leviticus and other cutting edge gender theorists.
Every time I see Greer’s angry mug on TV, I get this unexplainable urge to become a Vegas showgirl. Strategically placed ostrich feathers are after all a tradition that have survived not only brief periods of criminalization but also years of concerted propaganda campaigns. Then it slowly dawns upon me, very slowly of course, as the epiphany has to tunnel its way through multiple layers of denial and lack of self-awareness deposited over the years by patriarchy. But lo and behold! Eventually I see the light! Greer’s constant presence on these panels is an evil machination of that all-seeing all-knowing Top Gear-loving cabal! By exposing me to her increasingly outmoded and tired arguments I will be lulled into the illusion that there are no nuanced or insightful minds left in Feminism!
No wonder then that so many women shy away from the feminist label. Women are not stupid, despite Greer’s churlish insistence to the contrary. They still want equality - if anything it boils down to self-interest - and neither are they oblivious to the plight of the, still depressingly large, number of women who are routinely trafficked, raped, beaten, aborted for being the wrong sex and generally treated as second class citizens. And yet women grew tired of the ideology of oppression so beloved of 60s feminists and other professional martyrs, simply because most people don’t want to view themselves as losers. Is that shallow? No secret society pulling the strings behind the scenes. Most people, and I believe Greer would count herself amongst them, like to think of themselves as individuals in possession of at least an ounce of independent thought.
Yet whenever a woman diverts from the narrow party line set by Greer and company she is instantly labeled as patriarchal automaton, with zero self-awareness and independent thought. The perennially popular Foucaltian model is promptly peddled out and the dissenting voice is accused of internalising the oppressor. You want to be a stay at home mum? Patriarchal lobotomy! You like pink? Ideological brainwash! And yet they have so far failed to provide an alternative model. So pink is patriarchal? Okay, what precisely is your alternative? Blue? I think we are ALL aware that society gives feminine connotations to the colour ‘pink’ now. In fact, so familiar have we become with the language of gender semiotics that when a girl plumps for a frilly little pink number she is not a mindless follower of old patriarchal models who should be sent to reeducation camp. She’s perfectly aware of the symbolic ramifications of her sartorial choice and also bound to be familiar with reappropriation.
This attitude can partly be seen as rebellion against the old guard. It was bound to happen. As the new generation grew tired of being declared the victim, and with no alternative model to build on, these women thought that they could reclaim territory by taking symbols tainted by sexism and subverting them through ironic-self-awareness . The return of red lipstick and burlesque are examples of this philosophy, but so is the popularity of “porn star” and “deep throat” t-shirts. As long as it’s a conscious choice, the argument goes, there is no exploitation.
Now this is being heavily debated by another wave of feminists who are concerned by the increasing trend of posing in the buff for lads’ magazines. Is it possible to feel empowered without having to go topless? The most disturbing example is of course the perma-tanned former glamour model and all around entrepeneur Jordan, who has made her fortune by selling her privacy. Addicted to fame, Katie Price, as she now prefers to be called, has more or less rented out her womb to Hello magazine. She has, as Charlie Brooker memorably put it, “[had] herself sliced open and injected and sewn back together until she resembles some kind of rubbery pirate ship figurehead, a weird booby caricatured looming at us out of the mist.” And yet many women regard her as a role model, assuming, perhaps, that as long as those millions sit in a bank account, then it can’t possibly hurt. As long as it is you who tells the surgeon where to make the incision, then it is okay.
Which is why feminists have returned to the drawing room. Many of them never left of course, but I assure you - assuming you made it this far - that Feminism still has a lot to offer. The ‘ism’ deceives, like any other political movement, it conceals a plethora of views. If you haven’t found one you sympathise with, then you just haven’t looked hard enough. But Feminism is still relevant. Don’t let Germaine Greer put you off.